Mindy childress herman
Producer. Director. Consultant.
Producer. Director. Consultant.
Mindy Childress Herman is a director, producer and administrator who specializes in collaborating with artists to develop new work in theatre, television and audio drama.
Over the past 25 years she has worked professionally as a theatre director, producer, performer, stage manager, staff member and board member. She is a co-producer at Micro Theater Cleveland, free pop-up festivals of short performances in small spaces throughout the city. She directed and produced several critically-acclaimed site specific tours (including Spoon River Anthology, Glengarry Glen Ross and Lone Star) for Charenton Theatre Company, where she served as Producing Director for three seasons. She was the Director of Marketing and Communications at Cleveland Public Theatre from 2006-2010 and the Director of Marketing at DANCECleveland from 2010-2012. She has worked with The Beck Center for the Arts, Near West Theatre, Boulevard Theatre, TITLEWave Theatre Company, Dobama Theatre and Talespinner Children’s Theatre, among many others.
She studied Theatre and Film at Antioch College in Yellow Springs, Ohio. She continued her education with multiple National Arts Strategies/Stanford School of Business certificates and participated in several Theatre Communications Group conferences across the country. For almost 20 years, she has been the Director of The Dark Room at Cleveland Public Theatre, a monthly series that supports new work by playwrights, poets and screenwriters. In addition to her professional theatre and arts administration work, she is a principal in Footsteps Media, LLC, an audio fiction podcast production company. She directed and produced the first season of The Mystery of Easter Island, an historical fiction podcast about the life of pioneering explorer Katherine Routledge. She helped adapt the script for television and it was a finalist in the Austin Film Festival and the ScreenCraft TV Pilot Competition. She also serves as a script consultant for playwrights and screenwriters around the world and serves as an adjudicator for various festivals and grantmakers. She is passionate about working to maintain Cleveland’s reputation as a leader in the arts on the national landscape.
REGIONAL THEATRE
(*World Premiere ^Touring Production +Staged Reading)
AUDIO DRAMA
TELEVISION
LEADERSHIP
Pandemonium at CPT, 2024
"A well-realized dyspeptic take on human relationships.... This dramatic obituary of hope and trust is skillfully directed by Mindy Childress Herman to mirror on a small scale the further collapse of Western civilization." - Keith A. Joseph, Cleveland Free Times
"My favorite is Blind Man’s Bluff, sensitively directed by Mindy Childress Herman. Filled with humor, intelligence and insight, the unexpected ending is heartbreaking.”– Fran Heller, Cleveland Jewish News
“Though it’s barely a half-hour long, “Overtones” has more subtlety, keen observation, and depth than many full-lengths. It’s impeccably directed by Mindy Childress, with sharp contrasts between the women’s politely public, “feminine” behavior and their impassioned private selves.” - Linda Eisenstein, Cool Cleveland
“Director Mindy Childress keeps the four women clucking along smoothly as they finally manage to set a date to meet for a portrait sitting. And the last two lines, delivered by ego-woman and id-woman, respectively, say it all: “It’s been lovely.” “I hate you!”- Christine Howey, Cleveland Scene
"Director Mindy Childress Herman nicely guides her soloist with intentionally lightly-held reins.” - James Damico, Cleveland Free Times
"A can't-miss satire of Christmas crazies, with just enough heart to make you wish there really were a Santa and a battalion of elves." - Christine Howey, Cleveland Scene
“A proudly neurotic, defiantly ramshackle, old-fashioned revue, made expressly for the delectation of those who revel in gaudy Christmas elves and Allan Sherman’s musical spoofs. Deftly tying all this chaos together, Mindy Childress directs with the ricocheting style of a pinball machine.” - Keith Joseph, Cleveland Free Times
"Director Mindy Childress kept the material moving along briskly. It's a hoot for the holidays, an indicator of what creative people can work up." - Cool Cleveland
"Holiday Hotline is a delicious new musical comedy revue, birthed right here in Cleveland...a fast-paced, high energy look at the madness that surrounds this time of the year. Mindy Childress keeps everyone on their toes with the fast-paced action." - Kelly Ferjutz, The Times
"Live theater, in a graveyard. There's a paradox, courtesy of Charenton Theater Company. Director Mindy Childress chose 65 monologues from beyond the grave, leaning toward the starkly dramatic and laconically comical, and assigned them to 13 actors and two musicians for Charenton's "Cemetery Tour." The resulting 90-minute entertainment works, leaving the viewer with haunting images and a few things to mull over. The adaptation opens with the cast singing "Shall We Gather at the River" and closes with "Will the Circle Be Unbroken," giving the event a gospel, family feel. While an actor is onstage doing his or her monologues, Childress has the other performers wandering in and out of tombstones, like lost souls. This adds a chilling, ethereal air. " Tony Brown, Cleveland Plain Dealer
"Director Mindy Childress has the actors slowly approach the grave-studded stage from all sides, sending a chill up your spine even on a warm summer night. From there, the show hits many memorable high notes…." –Christine Howey, Cleveland Scene
"The Dumb Waiter, about a pair of losers in a room somewhere in nowheresville who start receiving mysterious takeout orders from a creaky old dumbwaiter approaches the oddball zest of Charenton's Weltschmerz...directed with alacrity by Childress and performed with guile and grit by Branstein (as a greasy Ben) and Andrew Narten (as a clueless Gus), makes the necessary connections so the audience can fully appreciate Pinter's disconnected landscape. " - Tony Brown, Cleveland Plain Dealer
"With a strong cast and taut pacing, Director Mindy Childress nails Pinter’s sinister mix of absurd humor and suspense. She gets an Odd Couple Oscar-and-Felix chemistry out of a barking, sweaty Allen Branstein and nervous Andrew Narten. Their physical comedy with the on-stage dumbwaiter, as they try to fulfill bizarre demands for complex meals from unseen customers, is funny without descending to sitcom shtick, and always keeps the tension up." - Linda Eisenstein, Cool Cleveland
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